Love From the Past, in a Lost Treasure– Found

Celinda's grandchildren

Celinda with her children, twins Margaret and Mabel, with younger brother, Kent 

I was recently talking to a second cousin of mine who told me the story of how she found a piece of Grandma Olson‘s lost lace. Marian Olson Boag is a descendant of my grandma, Celinda Olson, a lacemaker.  Marian is the granddaughter of Kent Olson, one of Celinda’s sons.  

She says:

“I was climbing through the rafters of Kent’s old barn where we milked the cows.  I was cleaning out the loft, and found a metal box that had lost its lid.  I decided to rifle through the box to make sure there wasn’t anything important in there before I threw it away.

The box was full of garbage, magazines, newspapers, burlap sacks, twine, straw and it had, nestled in everything else, a mouse nest. There were mouse droppings all over everything in there.

In the old rusty box, I discovered a delicate hand-knitted bag. Rolled up inside the little bag, was this perfect piece of hand-knitted lace.”

Celinda Olson Knitted Lace

Gift From the Past–Celinda Olson’s Lost Knitted Lace, Found

I knew what it was as soon as I saw it. An incredible feeling came over me. It was pretty special. I imagine that Grandma was very happy the lace had been found.

The sack had a few holes in it from the mice chewing through it, so it really was a miracle that the lace wasn’t ruined. I figure it was at least 50 years old at the time, and I’ve now had it twenty years more. 

I cleaned it, and stowed it away for safe keeping. I told my mother about it years later.  She told me to keep it, which is good… because I would have had a hard time giving it back! 

No one had any clue that it even existed, and no idea why it was ever put in the barn.  Finding that lace was such a blessing, and to know the love that went into making each tiny stitch just makes me feel close to her. I don’t know how it was lost, but I’m so glad it was preserved so I could find it.  It’s such a gift to have something so beautiful of hers.  I love it.”

What a treasure.  Uncle Kent’s barn is not far from the log house my grandmother lived in as she knit her lace by lamplight.  A beautiful piece of her love, for her granddaughter, made it home.

Heritage of Lace and Faith

charles and celinda with car 1946

 

These are my great great grandparents, Charles Fredrick and Celinda Jane Twitchell Olson.  Celinda is my grandmother who made lace and helped inspire me to do so also. She lived until she was 103.  Her life overlapped mine by one glorious year.  My daughter, Anna Celinda, is named for her.

Celinda and Charles were faithful members of the Church of Jesus Christ of Latter-day Saints, and left their posterity a great heritage of lace, and faith.

Boston: My First Altar Cloth Lace

bridge2

In August of 2000, my family and I lived in a little apartment in Boston, Massachusetts.  My husband was working for BBN (later Genuity), and we were two years into our east coast adventure.  My daughter, Anna was three at the time.

We were thrilled to be living in New England, it was so green, lush, and in every way, different than Utah, or even California where I was raised.  While we were there, we had the privilege of watching the building of the 100th temple of the Church of Jesus Christ of Latter-day Saints, as it was built.

“The Boston Massachusetts Temple was the first temple built in New England, and it holds the distinction of being the 100th operating temple of the Church—fulfilling President Gordon B. Hinckley’s desire to have 100 temples in operation before the end of the year 2000.”  —LDS Temples

As part of the preparation for the dedication, I helped organize making little booties for the legs of each of the chairs for the dedication to keep the metal legs from damaging the new carpets of the temple. Because I was making little white chair booties, my name came up as a sister with crochet skills.

I was contacted by someone affiliated with the temple construction and dedication project, and asked if I would be willing to make a temple altar cloth for one of the sealing room altars. I was floored.  I had no idea such a thing could even be done by mere mortals like me.  I was flattered. They’d had a few sisters already volunteer, but they needed one more altar lace, and the catch was, they needed it fast.

I’d never made anything as ambitious as an altar cloth before.  I’d made a few doilies, and some lace edging, that was about it.  I’d made lots of scarves, hats, and potholders though, and I had a bit of a plucky attitude.  There wasn’t anything I didn’t think I could do, so I started.

“Do you think you can be done in one month?  We’d really like it to be in place for the dedication if possible.”

“One month?  Ok!  I’ll try.”  I had no idea what I was getting into.  At the time, I had one daughter, she was three, almost four, and we were just starting our adoption adventures, taking training and classes through LDS Family Services in Boston.  I had a lot of free time on my hands, and Anna was a good lace buddy.  She and I started our altar cloth, and together we watched each square as it grew.

Anna and our Boston Temple Lace

Anna and Our Gift to the Lord– The Boston Temple Altar Cloth Lace

This pattern is from 101 Motifs for Crochet by Rita Weiss.  The pattern is motif #101, the last in the book.

I didn’t end up finishing in a month, but luckily, the dedication date was put off a bit with the steeple controversy.  I was able to finish in time for the dedication, but just barely.  I ended up working on the Boston lace six hours a day, sometimes more.  I was new to lace-making still, so I made a lot of mistakes, and learned how to change, alter, and fix laces.

At one point, I was gazing admiringly at my growing lace, nearly thirty squares large, and realized that one square, was horribly, terribly wrong.  I don’t know what I’d been thinking but I skipped an entire row somewhere in the middle of the square.  I had to learn to remove a square, carefully, without damaging the rest of the lace.  Another time I realized that four of the squares were upside down– each in a different section of the lace.  Horror!  I know, but to an experienced lacemaker, it really is. We can tell these things.  I wanted my lace to be my best.  So I took those out too, flipped them over, and put them back.  Thankfully, I’d chosen a pretty straightforward pattern.

It was such an honor to be able to make something for the Lord.  I can honestly say that accepting this assignment inspired my love of temple laces, and truly changed my life in some important ways. I’ve never forgotten that experience, and the joy it brought me to bring something of my own, made with my own hands, loved with my own heart, to the house of the Lord.

My husband and I helped with the open house of the temple, walking the governor, senators, children, families, and dignitaries on beautiful silent tours through the house of the Lord.  Anyone who wanted to, could come and see the House of the Lord.  But, they couldn’t see the laces, and neither could I.  The laces were not displayed during the open house.  Laces are not placed on the altars until after a temple is dedicated.

Boston Altar Lace

Boston: My First Altar Cloth Lace

We moved to California the week of the temple dedication, so I have never had the pleasure of seeing my lace on the altar in the Boston Temple, but I know it is there, and that is joy enough to me.

An interesting note: at the time the Boston Temple was dedicated, it had no steeple.  There was a controversy with the neighbors, and a lawsuit blocked the completion of the steeple.  So, in some respects, my memory of the 100th temple of the Lord is consistent.  The steeple was built a while later, and we watched that from California too.  We didn’t know it then, but that steeple controversy ended up being one of the best things that happened to the church in the Boston area during the construction of the temple. It brought together people of all faiths, in support of a good cause. We made many friends across the spectrum of beliefs.  It was the Lord’s miracle, with a twist of humor.

As for us, though we never got the joy of seeing our lace on the altar, we had many other blessings come to us right at that crucial time.  My husband was able to get a great job, right before the company he worked for went under.  We felt strongly that we should go to California, and right as the lace was finished, we got an offer, and began moving.  The dot com bubble burst weeks after we arrived in California and all jobs in his field dried up for several years, yet we were spared that instability.  Best of all, though we didn’t know it at the time, our three little sons were looking for a family, waiting for us in California.

I am convinced our gift was seen, and recognized, and honored.  Our prayers were answered.  Some parts of our Boston Temple experience are just had in faith. Experience has taught me that there is no sacrifice you can make in the Lord’s service that is greater than the blessings you receive.

BostonTemple

The Boston Temple: image by Bob Wooley

Tools of the Trade

All temple laces are made with white cotton thread. I personally prefer white thread to colored thread anyway, so all my thread supplies are blasting, gleaming, white. The best suppliers for lace thread are (in my never to be humble opinion) DMC Cordonnet Special, and Altin Basak (a Turkish thread supplier). DMC Cordonnet can be ordered online, and the color always matches. Turkish threads are a brighter white, and less expensive, but they’re harder to find. There are other threads too that are useful.

lace thread

Fine Lace Crochet Thread

Altar cloth guidelines ask for size 20 or size 30 thread. Lace threads go as fine as size 100, which is finer than sewing thread. The higher the number, the smaller the thread.

All of my temple laces are crocheted rather than tatted, but the temple accepts both crochet and tatted laces for their altars.

Crochet hooks for lace nearly always have to be ordered online. Boye brand hooks work well, I also like Tulip brand hooks. Stay far away from Susan Bates hooks. They’re terrible for lace, which is too bad because they’re so easily available.

Lace crochet hooks

Lace Crochet Hooks

Boye brand hooks I use for lace are size 10-14. Tulip brand hooks have a different sizing, in that brand I use size 14-23. Just like with the string, the higher the number, the smaller the hook. Tulip hooks are nice because they have a golden coating on the tip that is smooth against the thread.

Most people who crochet are used to yarn, and have never used hooks and string this fine. Not to worry, you can do it, it just takes practice to get the hang of the smaller stuff. When I began, I thought it would be pretty impossible, the hooks are so small! But I discovered that it isn’t that different, and now I actually prefer thread to yarn. Lace thread never splits!

Online Retailers

Lacis sells tiny crochet hooks, also lace making threads (Cebelia (all sizes & colors), Cordonnet, tatting thread, Flora etc. They also have a book catalog section of their site for reprints of antique patterns and excellent imported ones.

Herrschners All DMC and Coats & Clark threads, including Opera. They sell Optima online, and other exotic threads in the Yarn Shoppe paper catalog.  Boye crochet hooks.

Ebay — you can find almost anything here.

 

 

A Dying Art? Not for us.

ImageI was talking to an old friend of mine this week who needed a lace repair. She is also a member of the Church of Jesus Christ of Latter-Day Saints, and had been following my altar cloth progress from a distance on facebook.

“Angela, your lace has turned out so well, it’s just gorgeous. I wish we had that kind of thing in our temple.” “What kind of lace is on your altar? Tatted?” “Oh, no. They don’t have handmade lace. It’s a piece of fabric with a machine lace edge.”

I almost fell over.

I don’t know how, but somewhere there have to be more lacemakers. There is something unique and sacred about having something of your soul on the Lord’s altar, that a machine can never replace.

With each new temple dotting the earth, the existing lace grows thinner. Who will make the lace? This is an opportunity.

Little Miracles: MJ Stegeby’s “Pond Lily” Altar Cloth Lace

This lace was made by a good friend of mine, MJ Stegeby.  She’d never made lace before, but knew how to crochet.  She and I decided we would make temple altar cloth laces together, our gift to the Lord.  I taught her what thread and hook to use, and she got started on hers while I looked for a pattern for mine.  Her pattern is from the Crocheter’s Treasure Chest, and it’s called “Pond Lily”.

Not long after she started her project, Mary Jo got a bad case of morning sickness. We were elated that she would be expecting, but the side effects were painful as she spent the next nine months fairly seriously under the weather. Still, in the quiet moments, she managed to work on her lace.

Things got harder for them. Her husband lost his job, and they were eventually forced to move to another state as life continued to hit her little family in a big way.

Pond Lily with border

Mary Jo Stegeby’s vintage altar cloth lace pattern: Pond Lily. Donated to the Los Angeles Temple, January 2014

When I renewed my lace efforts with the Los Angeles Temple, and realized what a need there was for new laces to fit their altars, I talked to all the lacemakers I knew in my family and extended family, and I talked to Mary Jo.

Mary Jo reminded me about the altar lace she’d started during those long months of struggle. So many things had gone unexpectedly wrong since then. Despite her best efforts, her gift to the Lord hadn’t gone quite as she’d planned. In addition, sometime in the chaos of moving, the pattern had been lost, and with it the string and the hook.  But, she said, she still had the lace.

She worried that her effort wouldn’t be very useful because it was so small, but we talked it over, and she decided she’d send me what she had. Even though she now lived out of state and had other temples she could send it to, places she could go to see her work on the altar, Mary Jo was firm. She wanted her lace to go in the Los Angeles Temple. She felt it belonged there.

We decided I would take her started lace and go from there, making additional motifs until it was big enough to be usable. I had a copy of her pattern, “Pond Lily” in my pattern collection, but I didn’t know if my stitch size would be different than hers. No two crocheters have the same tension. If my stitching was very different, any new motifs I made would not match. Given the situation, and the need the temple had, I decided to give it a try anyway.

When the lace arrived in the mail, it was beautiful,  very small, and definitely unfinished.  I measured it roughly and checked my list of altar sizes– I was amazed. Her “Pond Lily” lace appeared to be the right size for the smallest altar in the Los Angeles Temple, an altar that needed a piece of lace, badly.

The lace hadn’t been washed yet.  Washing shrinks the cotton thread by one inch in twenty.  It also hadn’t been blocked.  Blocking stretches the lace to make the holes uniform and gives the piece a finished, completed look, that holds its shape and allows the lace to drape nicely.

I began the process of preparing the lace for the altar, first shrinking, then blocking, hoping it would really fit. When it was done, I measured it again. The lace matched the altar to the inch in both directions– without a single additional motif.

I was so excited, I couldn’t wait to tell her about how perfect it was, and thank her. What a wonderful gift!  I edged the piece with a simple Irish edging to honor Mary Jo’s Scotch-Irish heritage, snapped a few pictures for her family, and brought her beautiful lace to the temple. Her gift to the Lord now sits on that delicate altar.

Little miracles.

"Pond Lily" lace: blocked with border

Little miracles. “Pond Lily” lace: blocked with border, just the right size.

Denver Temple Altar Cloth Lace

Lace for the Lord: Donated to the Denver Temple

Lace for the Lord: Handmade lace donated to the Denver Temple

I like to feature the laces of other LDS lacemakers.  This altar cloth lace was made by my mother-in-law, Mary Rockwood. It’s from a vintage pattern called “Grand Reception”.  These are the pictures she sent me of it just before she gave it to her temple in Denver, Colorado. It turned out beautifully.

Lace worked in size 20 thread from vintage pattern title:  Grand Reception

Altar Cloth Lace worked in size 20 thread from vintage pattern title: Grand Reception